Favor de agarrar uno.

Tuesday, July 30th, 2013

Character Profile, the July 2013 text and language based group show I curated at Root Division in San Francisco, is over.

Just a rapidly fading collection of electrochemical brain markers and digital residue on the internet, the exhibition now exists only to the extent that we accept the highly contested notion of the past as a tangible component of reality. Character Profile does not think, therefore it may not be and may never have been.

To combat existential dread, I recorded this ten minute walkthrough of the show in 1080p.  We did it off the cuff in one long continuous take, so sorry if I misrepresented anything you might find important.   Thanks to EB , Trevor, and Lonwell for help with this.  And thanks to everyone who participated in the viewing and creation of this show.

[iframe width=”560″ height=”315″ src=”//www.youtube.com/embed/UXwZGbFcN6o” frameborder=”0″ allowfullscreen]

You may have wondered if a backyard fire pit is legal.

Monday, June 17th, 2013

Character Profile

“Character Profile: New Works in Language, Text, and Wordplay”
Curated by Jon Fischer
Opening Reception Saturday July 13 7-10PM (one block from tacos!)
Exhibition Dates: July 10-27
Root Division
3175 17th Street at South Van Ness, San Francisco
free

About eighteen months ago in Golden Gate Park, I had a sudden flash of inspiration in the form of a succession of twenty-eight free associative phrases that I quite immediately knew I wanted to develop into a substantial art piece.

I was associated with Root Division through some teaching work, and decided to go even further and pitch them an entire language based show through their curatorial submission program. Over the course of four of five months of back and forth I refined the concept, got three or four trusted collaborators involved, and the proposal was accepted as the July 2013 show at Root Division! This group show is going to feature the language-based visual artwork of 27 artists including my beloved Ben Hill, Nowell Valeri, and Erin Bregman. I think it’s going to be a really fun, multifaceted show featuring but not limited to:

  • A wall of Toasted Puns.
  • An interactive sound installation in which visitors can manipulate Presidential speeches with obscene gangta rap with old TV commercials, to create their own postmodern soundtrack the way God intended.
  • Flip Books.
  • A New York Times vs USA Today death match.
  • eBooks (a humongous “e” made out of books).
  • And lots of other engaging, interactive work dedicated to a spirit of play.

Bring your kids!

My project, “American Fistfight” evokes the early era of cinema with rudimentary moving image sequences produced entirely with screen printed 35mm slides. Several vintage projectors connected with a fabricated control panel will allow visitors to maneuver image sequences for themselves while the results are displayed on the gallery wall.

From the curatorial desk:
Character Profile is a visual arts exhibition featuring projects that explore intersections between the forms, mechanisms and meanings of language. Drawing from a cross disciplinary group of twenty-six collaborators from across the country including writers, visual artists, and craftspeople, Character Profile investigates novel functions of language through a broad range of materials, media and approaches. Many of these works are dedicated to a spirit of engagement and play. The exhibition highlights art designed for direct interaction with visitors and work that provokes expanded meanings and alternative associations. These artists present language as both a medium and a subject, and deftly maneuver words to both convey and critique meaning.

Character Profile

The loudest voice will be the voice that speaks for those who lost their voices.

Monday, February 25th, 2013

Last year I decided that I wanted to focus on art that features wordplay.

To facilitate this, I arranged to curate a show on art that features wordplay at the always-canny Root Division.   The key word here is “play.”  The word “word” is also key.   I suppose the word “features” provides some key context as well.

You know what? All the words are important.  That’s the point of the show.

Please forward this to anyone who might be interested–not just visual artists.  The show is in July 2013 in SF and proposals are due by the end of April.

OPEN CALL FOR ARTISTS:

Character Profile

Curated by: Jon Fischer

Deadline for Submission: Monday, April 29, 2013
Exhibition dates: July 10-27, 2013

Root Division invites creators working in all fields to submit work for an exhibition entitled Character Profile, featuring artworks and projects that explore intersections between the form, mechanisms and meaning of language.

Considered works may:

  • Explore the material and aesthetic quality of language, using text as a medium to create patterns, sounds, and familiar objects.
  • Provoke expanded meanings and alternative associations between words, in some cases inviting visitors to construct their own art from words.
  • Feature visual forms of wordplay, free-association, puns.

The goal of Character Profile is to create a visitor experience that is interactive, thought provoking, and accessible to a diverse group of guests.

The curator will entertain any works that investigate novel functions for language through a broad range of materials, media and approaches. Selections will be made with an emphasis on:
1. A dedication to the spirit of play.
2. Developing projects from a wide range of artists, designers, and makers.
3. Versatile and interactive works.

Proposals for new projects will be considered for selection in the exhibition. These applicants should submit examples of related work and a detailed proposal.

Checklist of application materials:

  • 4 images (jpegs: 72 dpi, 600×800 pixels max) (Digital only please; Sorry, no slides) AND/OR Link to Vimeo or other video platform, (If not available on the web, please submit a 3-minute video clip on CD/DVD for Mac)
  • Artist resume (1-2 pages max)
  • Artist statement (1 page max)
  • SASE (for return of materials if desired)
  • E-payment can be made via our website [HERE]
    (or submit a $10 check/money order made payable to Root Division)
  • Completed application form [HERE]

Deadline for Submission: Monday, April 29, 2013

Please call 415.863.7668 or email events@rootdivision.org with any questions.
**Artists selected for the exhibition will be notified by May 17th, 2013 via email or phone about the inclusion of their work in the show. Curator will conduct studio visits as necessary, but good documentation of work is strongly suggested.**

ROOT DIVISION

3175 17th Street
San Francisco, CA 94110
415.863.7668
www.rootdivision.org

ABOUT ROOT DIVISION:
Root Division is an arts and arts education non-profit located in the Mission District of San Francisco. Root Division’s mission is to improve appreciation and access to the visual arts by connecting personal inspiration and community participation. We provide subsidized studio space to working artists in exchange for their service in creating shared learning opportunities for the community. Artists develop creatively and professionally by teaching art to underserved youth, leading adult education classes, and producing exhibitions that showcase local emerging artwork. By combining multiple opportunities for creative exchange, Root Division cultivates an artistic ecosystem that enriches life throughout the Bay Area.

Root Division is supported in part by grants from Grants for the Arts: SF Hotel Tax Fund & Voluntary Arts Contribution Fund, The San Francisco Foundation, Walter & Elise Haas Fund, and the Potrero Nuevo Fund. The Second Saturday Exhibition Series is sponsored by the Phyllis C. Wattis Foundation, the San Francisco Arts Commission through a Cultural Equity Grant/Organizational Project Grant, the Fleishhacker Foundation, and the Zellerbach Family Foundation.

For further information regarding events and/or press materials, please do not hesitate to contact Amy Cancelmo at 415.863.7668 or events@rootdivision.org.

Finebaum had told the campaign to prep Romney to talk sports, but Romney “didn’t have a clue who Nick Saban was.”

Saturday, December 15th, 2012

Last weekend I took my live screenprinting act on the road.

By on the road, I mean four blocks from my studio to Root Division for the second annual  Misfit Toy Factory.

It’s a live artmaking event featuring over 35 artists making sculptures, toys, and gifts onsite in the gallery space at Root Division.  All works made in this one night only event are cash and carry for $40 each and benefit RD.  It’s like a holiday-themed sweatshop for artists, except without the paycheck.   I made nine pieces inspired from a visit to California’s other Ocean Beach, in San Diego.

Here is a Picassa album with most of the work.  Here some of my pictures:

At that point, we can steer the project into much more “bio-oriented” waters.

Thursday, September 27th, 2012

Allow me to share this triumphant piece of paper.  This is my signed, unsealed, and delivered contract to curate the July 2013 exhibition at Root Division.   Over the course of this year, I developed this proposal with the help of some collaborators and it was accepted! It’s an art show based on wordplay.  My goal is to make it so engaging that even the illiterate to have fun.

And yet it is too early to say that the government is winning.

Monday, May 14th, 2012

The twelve week screenprint workshop I have been teaching with the glamorous Angie Crabtree is complete.  We asked our nine high schoolers to print on nice paper for this show at Root Division, but some of the more exciting projects were their clothes and bags.  I wasn’t able to photograph everything, but I did want to record here the little I did get for the ages.  Nice work brahs.  And Angie thanks for everything. Especially the black eye.

Sir after calculating my score with your percentages present in the syllabus I came up with a percentage of 61.75%

Sunday, April 29th, 2012

Check out how good this tee-shirt came out.

It was done by Martin (with a little creative input from Banksy, who fully supports the appropriation), one of nine SF high schoolers in a screen print class I’ve been teaching at the nonprofit arts center Root Division this spring.

It can be hard at first to convince high schoolers that screenprinting in the age of mechanical reproduction is almost by definition not about technical perfection.  But then we get to magic moments like this that make more sense than me talking.  The shirt not only looks great but it maintains the trace of its maker: way cooler than a shirt bought at a store.  Creative high schoolers understand that.