———————————

Pictures of Pictures // 2014 Works By Jon Fischer

———————————

———————————

Pictures of Pictures // 2014 Works By Jon Fischer

———————————

———————————

Pictures of Pictures // 2014 Works By Jon Fischer

———————————

  • “Uncharted/Unnamed/Untitled” | Screen print, charcoal rubbing & dye on industrial canvas | Dusk Variation | 32 x 24 in | 2014
  • “Uncharted/Unnamed/Untitled” | Screen print, charcoal rubbing & dye on industrial canvas | Dawn Variation | 32 x 24 in | 2014
  • “Uncharted/Unnamed/Untitled” (DETAIL) | Screen print, charcoal rubbing & dye on industrial canvas | Dawn Variation | 32 x 24 in | 2014
  • “Uncharted/Unnamed/Untitled” | Screen print, charcoal rubbing & dye on industrial canvas | Dawn Variation | 32 x 24 in | 2014
  • “Panda Girl” | Screen print, charcoal rubbing & dye on unprimed linen | Cool Variation | 28 x 40 in | 2014
  • “Panda Girl” | Screen print, charcoal rubbing & dye on unprimed linen | Warm Variation | 28 x 40 in | 2014
  • “Panda Girl” (DETAIL) | Screen print, charcoal rubbing & dye on unprimed linen | Warm Variation | 28 x 40 in | 2014
  • “Panda Girl” | Screen print, charcoal rubbing & dye on unprimed linen | Cool Variation | 28 x 40 in | 2014
  • “Bay window w/ sportswriter and portable computer” | Screen print, dye, charcoal on unprimed canvas | 30 x 24 inches | Variation 2 of 2 | 2014
  • “Bay window w/ sportswriter and portable computer” | Screen print, dye, charcoal on unprimed canvas | 30 x 24 inches | Variation 1 of 2 | 2014
  • “Bay window w/ sportswriter and portable computer”(DETAIL) | Screen print, dye, charcoal on unprimed canvas | 30 x 24 inches | Variation 1 of 2 | 2014
  • “Bay window w/ sportswriter and portable computer” | Screen print, dye, charcoal on unprimed canvas | 30 x 24 inches | Variation 1 of 2 | 2014
  • “Bay window w/ bride and geometric sculpture” | Screen print, dye, charcoal on unprimed canvas | 30 x 24 inches | Variation 1 of 2 | 2014
  • “Bay window w/ bride and geometric sculpture” | Screen print, dye, charcoal on raw canvas | 30 x 24 inches | Variation 2 of 2 | 2014
  • “Bay window w/ bride and geometric sculpture” (DETAIL) | Screen print, dye, charcoal on unprimed canvas | 30 x 24 inches | Variation 2 of 2 | 2014
  • “Bay window w/ bride and geometric sculpture” | Screen print, dye, charcoal on unprimed canvas | 30 x 24 inches | Variation 2 of 2 | 2014
  • “Wednesday April 13, 2023″ | Screen print, pastel drawing, computer paper on panel | 24 x 32 in | 2014
  • Wednesday April 13, 2023 (DETAIL) | Screen print, pastel drawing, computer paper on panel | 24 x 32 in | 2014
  • “Wednesday April 13, 2023″ | Screen print, pastel drawing, computer paper on panel | 24 x 32 in | 2014
  • “KCl A” | Screen print, charcoal rubbing & dye on unprimed canvas | 1 of 4 Unique Variations | 24 x 24 in | 2014
  • “KCl B” | Screen print, charcoal rubbing & dye on unprimed canvas | 2 of 4 Unique Variations | 24 x 24 in | 2014
  • “KCl C” | Screen print, charcoal rubbing & dye on unprimed canvas | 3 of 4 Unique Variations | 24 x 24 in | 2014
  • “KCl D” | Screen print, charcoal rubbing & dye on unprimed canvas | 4 of 4 Unique Variations | 24 x 24 in | 2014
  • “KCl A” | Screen print, charcoal rubbing & dye on unprimed canvas | 1 of 4 Unique Variations | 24 x 24 in | 2014
  • “KCl D” | Screen print, charcoal rubbing & dye on unprimed canvas | 4 of 4 Unique Variations | 24 x 24 in | 2014
  • “San Pablo Season A” | Screen print, & dye on unprimed canvas | 28 x 16 in | 2014
  • “San Pablo Season A” | Screen print, & dye on unprimed canvas | 28 x 16 in | 2014
  • “San Pablo Season B” | Screen print, & dye on unprimed canvas | 28 x 16 in | 2014
  • “San Pablo Season C” | Screen print, & dye on unprimed canvas | 28 x 16 in | 2014
  • “San Pablo Season D” | Screen print, & dye on unprimed canvas | 28 x 16 in | 2014
  • “Bernal Equinox A” | Screen print, dye, charcoal on unprimed canvas | 44 x 20 inches | 2014
  • “Bernal Equinox A” | Screen print, dye, charcoal on unprimed canvas | 44 x 20 inches | 2014
  • “Bernal Equinox B” | Screen print, dye, charcoal on unprimed canvas | 44 x 20 inches | 2014
  • “Bernal Equinox C” | Screen print, dye, charcoal on unprimed canvas | 44 x 20 inches | 2014
  • http://www.feather2pixels.com/wp-content/uploads/sealrox.jpg
    “Seal Rocks” | Unique screenprint and ink on paper | 30 x 24 inches | 2013
  • “H.K. harbour A” | Screen print on unprimed Canvas| 36×29 in | 2013
  • “H.K. harbour B” | Screen print on unprimed Linen| 36×29 in | 2013
  • “H.K. harbour C” | Screen print on unprimed Canvas| 36×29 in | 2013
  • “H.K. harbour D” | Screen print on unprimed Linen| 36×29 in | 2013
  • “H.K. harbour A” | Screen print on unprimed Canvas| 36×29 in | 2013
  • Saint Quentin’s |Screen print & acrylic paint on wood plaque| 12 x 20 in | 2 Variations | 2014
  • http://www.feather2pixels.com/wp-content/uploads/fence-detail2-hiRes_resize.jpg
    Saint Quentin’s |Screen print & acrylic paint on wood plaque| 12 x 20 in | 2 Variations | 2014
  • Saint Quentin’s |Screen print & acrylic paint on wood plaque| 12 x 20 in | 2 Variations | 2014
  • Mount Tam w/ Traffic Cone (Spring Variation) | Unique Screen print on Burlap | 48 x 24 in | 2 Variations | 2013
  • Mount Tam w/ Traffic Cone (Winter Variation) | Unique Screen print on Burlap | 48 x 24 in | 2 Variations | 2013

PICTURES OF PICTURES are screenprinted reproductions of mementos from the past, present, and future.

From a distance, these pieces resolve into images of what could be instant photographs, postcards, and other printed keepsakes. Closing in on the surface, a textured substructure of printer ink, delicate charcoal rubbings, and saturated puddles of concentrated dye are revealed. Up close, the screen print is exposed for the common illusion is was designed to be: goopy materials vigorously applied in regular patterns. Surprisingly little printing is required to produce a deep and resonant image.

The project is inspired by the nineteenth century field notes and amateur photographs of S.J. Manetta, a third assistant engineer of the merchant steamer era. Aboard a modern diesel ship, I retraced Manetta’s regular mail run between the newly familiar Far East and the surging San Francisco she called home. Supplied with a journal, camera, and lots of time, I took the sixty day route across what is still the biggest ocean in the world and imagined a kinship with Manetta. Her obsession with documenting still moments in unstill times felt appropriately contemporary. When I came home, San Francisco was cycling between boom and crash as quickly as it always has and maybe always will be.

As more of the visual environment progresses towards the digital, I’m curious how formerly unremarkable image-making techniques like screen printing will re-emerge with new questions, experiments, and and largely untapped possibilities. For me it is the ideal medium with which to explore the many layers of modern images. Recent phenomena in the culture at large like Instagram, typewriter collecting, and Holga cameras at Urban Outfitters already point to a renewed fascination with the meaning of pictures. If pictures of pictures were real, they would be made out of the materials and sensibilities of their time. If pictures of pictures were real, they would carry a history.

  • “Uncharted/Unnamed/Untitled” | Screen print, charcoal rubbing & dye on unprimed canvas | 2 Variations | 32 x 24 in each | 2014
  • “Bernal Equinox” | Screen print, dye, charcoal on unprimed canvas | 44 x 20 inches each |2 Variations | 2014
  • “Bay window w/ bride and geometric sculpture” | Screen print, dye, charcoal on unprimed canvas | 30 x 24 inches each | 2 Variations | 2014
  • “Panda Girl” | Screen print, charcoal rubbing & dye on unprimed linen | 2 Variations | 28 x 40 in. each | 2014
  • “Panda Girl” | Screen print, charcoal rubbing & dye on industrial linen | 2 Variations | 28 x 40 in. each | 2014
  • “H.K. harbour | Screen print on unprimed Canvas| 36×29 in. each | 4 Unique Variations |2013
  • “H.K. harbour ” | Screen print on unprimed Canvas| 36×29 in. each | 4 Unique Variations |2013
  • “San Pablo Seasons” | Screen print, & dye on unprimed canvas | 4 Unique Variations | 28 x 16 in each | 2014
  • “Bay window w/ sportswriter and portable computer” | Screen print, dye, charcoal on unprimed canvas | 30 x 24 inches each | 2 Variations | 2014
  • “KCl” | Screen print, charcoal rubbing & dye on unprimed canvas | 4 Unique Variations | 24 x 24 in each | 2014
  • “KCl” | Screen print, charcoal rubbing & dye on unprimed canvas | 4 Unique Variations | 24 x 24 in each | 2014
  • “KCl” | Screen print, charcoal rubbing & dye on unprimed canvas | 4 Unique Variations | 24 x 24 in each | 2014

PICTURES OF PICTURES are screenprinted reproductions of mementos from the past, present, and future.

From a distance, these pieces resolve into images of what could be instant photographs, postcards, and other printed keepsakes. Closing in on the surface, a textured substructure of printer ink, delicate charcoal rubbings, and saturated puddles of concentrated dye are revealed. Up close, the screen print is exposed for the common illusion is was designed to be: goopy materials vigorously applied in regular patterns. Surprisingly little printing is required to produce a deep and resonant image.

The project is inspired by the nineteenth century field notes and amateur photographs of S.J. Manetta, a third assistant engineer of the merchant steamer era. Aboard a modern diesel ship, I retraced Manetta’s regular mail run between the newly familiar Far East and the surging San Francisco she called home. Supplied with a journal, camera, and lots of time, I took the sixty day route across what is still the biggest ocean in the world and imagined a kinship with Manetta. Her obsession with documenting still moments in unstill times felt appropriately contemporary. When I came home, San Francisco was cycling between boom and crash as quickly as it always has and maybe always will be.

As more of the visual environment progresses towards the digital, I’m curious how formerly unremarkable image-making techniques like screen printing will re-emerge with new questions, experiments, and and largely untapped possibilities. For me it is the ideal medium with which to explore the many layers of modern images. Recent phenomena in the culture at large like Instagram, typewriter collecting, and Holga cameras at Urban Outfitters already point to a renewed fascination with the meaning of pictures. If pictures of pictures were real, they would be made out of the materials and sensibilities of their time. If pictures of pictures were real, they would carry a history.