On the periphery of another Guan painting.

The sudden (re)emergence in my life of the Ashby BART station in Berkeley has yielded interesting results. The area seems like ground zero for the classic back to the earth, crafts night, east bay living. Maybe that atmosphere is a result of proximity to the Berkeley Bowl (the most well-known of the Bay Area’s left-leaning groceries), the Thai Temple (where you can get a Sunday morning curry feast, mega-church picnic style), and/or the enigmatic semi-private hot springs someone set up in their backyard. Anyways, I’ve found myself with less patience than usual for San Francisco Cool culture in the last few weeks.

Like, I went to a public roller skating party on Friday night (coincidentally, at the place where I am silkscreening) and it was lots of fun, but part of me couldn’t help feeling a little disgusted at what an event it had to be. And, at the risk of sounding self-righteous, why do people wear hip clothes to make messy art? And why do the alternative weeklies seem to exist primarily for purpose of beating the city down with their perverted vision of the San Francisco dream? Why does everything seem so trifling?

So I convinced my screening instructor to let me print with him on Saturday. I should have a series of 6 new postcards by Thursday. I’ve enthusiastically got $40 worth of postage waiting in the wings.

One Response to “On the periphery of another Guan painting.”

  1. shell Says:

    Maybe yins should come back to the durrrty Burgh… we don’t even know what trifling means here…

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