feather2pixels

Guess who stopped by the screen printing studio the other night?  None other than nvSurly/Lonwell Alvier/Sir Lee himself.  The ever-dutiful Trent Reznor scholar since birth, Lonwell had just completed his new master Nine Inch Nails mix and the only thing standing in the way of shipping them off to the far corners of the California–Philly–New York City Corridor was packaging.

Enter the Slushmonger.

I would like to think that I helped motivate our hero towards completion of this much anticipated project, but just as the tides need not the assistance of man in washing up the ocean’s secrets so Lonwell needs no help from any one in making his voice heard.  I might say, though, that he did make this as difficult as possible, designing a multi-color square pattern that required the most precise of registrations–one false move and the spacing between red and black would read as monumentally screwed.

Alas, once again we discovered success together and everything turned out great.  Also, I must say that Mr. Reznor’s work on “The Social Network” soundtrack is exactly what I would expect from him in the year 2010, and I say that not to suggest that it sounds predictable but rather to offer it as the satisfying answer to the question of what would Nine Inch Nails sound like when Trent Reznor was fifty-one years old.  I have been enjoying it. (From what I could tell, the most important answer the film provides is that the social networking website is the most monumental thing to be invented by mankind since the the Polio vaccine).

[audio:trent_reznor-atticus_ross-intriguing_possibilities.mp3]

@jonF taking off for the #Wovenhand show at @BottomOfTheHill. Hell yes.

So the art opening for the 24th Street project isn’t on March 5th anymore.  Actually, I think the art opening for the 24th Street project isn’t happening anymore.  Luckily, aside from feather2pixel’s five loyal readers who were expecting free booze and sandwiches, I anticipate next to nobody will care.  I’ll just have to get the next round for you guys.  If it was my space and I had my way, then there would be an art opening for the 24th Street project.  Every day.  But it is not and that is okay.

Regardless, beginning next week, the art will be open to the public until the end of time.  Or at least for as long as combination locally sourced gourmet sandwich shops/patisseries remain financially solvent in the Mission District.  And hopefully that is a long long time.

In the meantime, you have to check out my Twitter debut!   From the Local Mission Eatery account, this is me in the space, rounding corners of the 360 blank art wall tiles.  I have finally become the modern man I knew I could be.